The truly first thing that catches the eye of any viewer of Daphnis and Chloe is Chloe herself. She is seat only slightly off-center, exactly due to the high-key color of her fig up and skin, is the dominant part of the painting. The dress that is draped over her entire body is pure white, a strong contrast to the majority of her surroundings, including Daphnis himself who is entirely much darker and more in the shadows than she. Beyond that the light and dark contrast, there are noticeable shapes in the painting that draw the eye to Chloe. The tree behind her is truly dark, but in each corner of the painting the leaves part, allowing the sad sky behind to be seen.
These areas are very small, but both of the breaks in the branches move inward at a diagonal, creating a triangle that points to the young couple, the young woman in particular. The way her arms are up over her guide also creates an some other shape of a triangle, which is continued through Daphnis back down into the bottom right corner, and on the other end, follows the line of the rock upon which she is seated into the bottom left. The entire formation creates movement that all draws the eye towards the center, where Chloe sits gazing down at Daphnis. The geometric shapes, colors, and placements also give the painting a good moxie of balance.
After noticing the girl who stands out brightly in the center, a viewer may follow her gaze down to Daphnis....If you need to get a full essay, order it on our website: Ordercustompaper.com
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