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Tuesday, April 2, 2013

The Creative Process by James Baldwin

THE CREATIVE PROCESS
By James Baldwin from Creative America, Ridge Press, 1962.
perchance the primary distinction of the mechanic is that he must actively cultivate that nation
which most men, necessarily, must avoid; the assert of cosmos al unity. That all men are, when
the chips are down, alone, is a banalitya banality because it is very frequently provinced,
exactly very rarely, on the evidence, believed. Most of us are not compelled to linger with
the friendship of our solitariness, for it is a knowledge that can paralyze all put to death in this
world. There are, forever, swamps to be drained, cities to be created, mines to be
exploited, children to be fed. none of these things can be done alone. But the conquest of
the forcible world is not mans only duty. He is also enjoined to conquer the great
wilderness of himself. The precise role of the artist, then, is to polish off that darkness,
blaze roads through that vast forest, so that we ordain not, in all our doing, lose sight of its
purpose, which is, after all, to befool the world a more human dwelling place.
The state of being alone is not meant to bring to mind simply a rustic musing beside
some silver lake. The solitariness of which I speak is much more like the forlornness of
birth or death.

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It is like the fearless alone that one sees in the eyes of someone who is
suffering, whom we cannot help. Or it is like the aloneness of love, the force and mystery
that so many have extolled and so many have cursed, but which no one has ever
understood or ever really been able to control. I put the head this way, not out of any
desire to create pity for the artistGod forbid!but to suggest how nearly, after all, is
his state the state of everyone, and in an attempt to make vivid his endeavor. The state of
birth, suffering, love, and death are extreme statesextreme, universal, and inescapable.
We all know this, but we would rather not know it. The artist is present to crystallize the
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