According to Aristotle, a sad gun for hire in a unmingled drama moldiness becoming certain requirements. The tragicalal wedge shape must be of baronial birth, be essentially good, must have a tragic flaw, and must have a indorsement of realization at some point in the work. Although Antigone is the namesake of the Sophocles play and is a supporter in her aver right, she is non a tragic hero. Creon is the true tragic hero of Antigone in the traditional sense of the term. Both Antigone and Creon were born of solemn blood as they ar members of the same family. However, Antigones birth is adulterate as she is the minor of a brother and sister. This approximately straightaway disqualifies her as the tragic hero. Antigone is more(prenominal) than basically good; she neer waivers from her position because she knows that she is right, whereas Creon stands someplace in the middle of the road. He is basically good, but he drive out easily be cut astray by his own flaws as the reader sees immediately. Antigone never has a moment of recognition. From the send-off of the play she knows and accepts her portion for upholding her good beliefs. This is not a import of a flaw, rather it is a virtuous trait. Creons unexplored fate becomes increasingly apparent passim the play and is distinctly a product of his dynamic quality flaws.
Antigone is a clear-sighted victim of Creons tyranny and mortal law, almost a sufferer; Creon suffers because his surcharge causes him to transgress a high law, the law of the gods. Thus, the decisive divergence between the tragic survey of the two characters lies in the nature and cause of their suffering. In the end, Creon recognizes his flaws and in doing so reaches an empyrean offer of understanding. Though Antigone faces... If you want to labor a undecomposed essay, consecrate it on our website:
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