Discussion of the Film Vagabonde by Agnes Varda

Vagabonde possesses umteen themes which when viewed on the surface ar almost invisible. However, when a close at hand(predicate) post-mortem style of analysis is choose they soon bewilder give the axe and more distinguished. The themes included in this movie theatre are Mystery, Jealousy, L hotshotliness, liberty and in the end, tragedy. We see the themes develop in front of us on an individual basis as the film progresses, save as the spectator, we only become aware of the super-structure by the cease of the film. We know from the start that at last the journey ends in cataclysm only are strange as to why this charr is fiction dead in a encroach.\n\nThe two themes: Tragedy and Mystery, arrive to sither in the film. The film opens with an painting of a young girl lying in a ditch covered in mud. This control is visually shocking and with turn out delay provokes a response from the viewer. The reaction must vary from somebody to person but ultimately it create s curiosity and sympathy. The director invites the audition to participate in discovery of the mystery surrounding the manners of a dead muliebrity. On the surface, Vagabonde is a deceptively elementary story. The film opens with the image of a frozen female form and a narrator (Varda) tells the auditory modality that what follows are interviews with the people who knew her in the last weeks of her life. Through interviews and flashbacks the viewer learns how this young woman terminate up in a ditch, but non why she started her solitary journey. The films main resuscitate is the reaction of people to the drifter, not her psychology. Varda uses other peoples memories to construct an image of the drifter. Loneliness is communicated instantly by the sheer fact that this woman is lying alone with no possessions in a exquisite village and no one knows her. If she was a resident she would be recognised and if she was from a family out of town, then surely she would lease some b elongings with her. It is Vardas intention to portray this sad image of isolation. The structure of the film is supported by the room in which the story develops, i.e. through a series of interviews and objective type monologues.\n\nFrom the outset, Varda establishes that she is using the accounts of witnesses to skeletal system a portrait of Mona, but as the film progresses it becomes straightforward that these interviews reveal more...If you want to get a full essay, tell apart it on our website:

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