Features of Romantic, gothic, and Satiric Writing (starting points): romanticism (Burch, Kim, Clark, Balkcom) 1. Individualism * Self-revelation * Poet as a imaginative/ the importance of spiritual muniment (e.g. The overture, Tintern Abbey) * Romantic Lyricthe verbalizer closely connected to the poets own experience 2. Celebration of Childhood * sinlessness as a virtue * rise against the role of reason in the Enlightenment; non-directive (Rousseauist) ideas about education 3. resource * The feeling of imagination was more historical to [Blake] than the material world (Keynes 11). * Imagination as a petty authority (which permitted freedom from classical notions of conformity in art). (wikipedia.org). : on the offspring of form, see STC on constitutional form 4.        Passion > Reason * Wordsworth oral exam overflow of powerful feelings. * Coleridge authorship poetry involves the psychological contraries of loved and of will, of spontaneous impulse and of unforced purpose. (Abrams 9). 5.
        Nature * Nature corresponds to an inner or spiritual world * Personification of nature * firearm exists in a babble of exile from nature and mustiness return (Romantic tourism, ecology) 6. Infinite liking: Our destiny, our beings summation and home, Is with infinitude, and only there; With go for it is, hope that can never die, Effort, and expectation, and desire, And something evermore about to be. WW. (The approach 6. 604-08) * Inaccessible desires * Insatiable appetites [pic] Gothic Conventions (Kraus, Womack, Jones, Callaway, Bland)  I. The supernatural a. The supernatural: Any person, object, or event that cannot be explained harmonise to natural laws. b. The explained supernatural: When people, objects, or events...If you want to get a full essay, order it on our website:
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