Vladimir Nabokov's Lolita to a Wittgensteinian Analysis

In the second touch off of the Philosophical Investigations, Wittgenstein wrote:

If anyone believes that certain concepts ar absolutely the correct ones, and that having diverse ones would mean non realizing something that we realize - then let him speculate certain very general facts of nature to be antithetic from what we be used to, and the formation of concepts different from the usual ones leave behind become intelligible to him.

As this quote implies, Wittgenstein accepted all told different points of view as being "correct." Rather than seeking a singular "truth" regarding the use of run-in, Wittgenstein claimed that in that location are some different come-at- commensurate "language-games" that people can play. As in the case of games, each language has its own busy set of rules and objectives. In the analysis of language, Wittgenstein advocated using the metaphor of games, in which "a given move can be judged scarcely according to the rules of the game to which it belongs."

In developing his approach to language analysis, Wittgenstein did not seek to create a single, rigid possibility which can be applied to all general cases. Rather, his governing body provides a flexible guide for the analysis of the various possible rules in language-games. As noted by Timothy Binkley in his text Wittgenstein's Language, the question in language analysis is not whether a particular expres

Binkley, Timothy. Wittgenstein's Language. The Hague: Martinus Nijhoff, 1973.

there are also many interesting allusions to be rig in the text of Lolita. For example, Alfred Appel's annotated version of Lolita indicates that there are many references to Edgar Allen Poe as well as to his poem "Annabel Lee." In fact, in one of the book's passages it is noted that Lolita's real name is "Annabel Haze, alias Dolores Lee." The marrow behind this use of allusion can be found in Poe's feelings of disillusionment and frustration over not being able to ever really attain the object of his love.

In sum total to the more than twenty references to Poe which occur in the novel, Lolita also contains allusions to such(prenominal) literary figures as Prosper Merimee, William Shakespeare, and James Joyce. In addition, there are a few allusions to the nineteenth century mathematician and novelist, Lewis Carroll. During the movie in which Lolita is asleep from the effects of drugs, Humbert states that "a breeze from wonderland had begun to go my thoughts." This is a clear allusion to Alice in Wonderland, Carroll's most famous novel. The means of this allusion can be seen in the fact that Carroll, like Humbert, was cognise to be a "nympholept."

Although the specific details of Humbert's sense on the mountain are left vague, it is nonetheless apparent that the experience has had a profound impact on his subjective being. In particular, the experience causes Humbert to develop a new attitude toward "nymphets" and "children," in which he becomes aware of the true innocence and purity which are characteristic of puerility. He seems to have come to the realization that childhood is a sacred time of life and that it should not be tampered with by the selfish, desirous aims of adults. Using Wittgensteinian terminology to specify this change in attitude, one can say that Humbert has undergo a clarification in his definitions of terms such as "nymphet" and "childhood
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